{"id":55,"date":"2026-07-19T23:37:00","date_gmt":"2026-07-19T23:37:00","guid":{"rendered":"https:\/\/gonulmisralari.com\/?p=55"},"modified":"2026-07-19T23:37:00","modified_gmt":"2026-07-19T23:37:00","slug":"en-cok-bilinen-50-turk-sairimiz","status":"publish","type":"post","link":"https:\/\/gonulmisralari.com\/?p=55","title":{"rendered":"En \u00e7ok bilinen 50 T\u00fcrk \u015eairimiz"},"content":{"rendered":"\n

En Bilinen 50 T\u00fcrk \u015eairi ve K\u0131sa Biyografileri<\/h1>\n\n\n\n

Not: \u00d6zellikle 13-17. y\u00fczy\u0131l \u015fairlerinde do\u011fum\/\u00f6l\u00fcm tarihleri ve do\u011fum yerleri kaynaklarda kesinlik ta\u015f\u0131maz; tezkireler ve ara\u015ft\u0131rmac\u0131lar aras\u0131nda farkl\u0131 rivayetler vard\u0131r. B\u00f6yle durumlarda “tahminen” ibaresi kullan\u0131lm\u0131\u015f, kaynaklar aras\u0131 ihtilaf belirtilmi\u015ftir. Tarihler b\u00fcy\u00fck \u00f6l\u00e7\u00fcde TDV \u0130sl\u00e2m Ansiklopedisi, T\u00fcrk Edebiyat\u0131 \u0130simler S\u00f6zl\u00fc\u011f\u00fc (TE\u0130S) ve akademik biyografi kaynaklar\u0131 taranarak do\u011frulanm\u0131\u015ft\u0131r.<\/em><\/p>\n\n\n\n

Divan \/ Klasik Osmanl\u0131 \u015eiiri (13-18. y\u00fczy\u0131l)<\/h2>\n\n\n\n

Hoca Dehhani<\/strong> Do\u011fum ve \u00f6l\u00fcm tarihleri bilinmiyor (13. y\u00fczy\u0131lda ya\u015fad\u0131), do\u011fum yeri kesin de\u011fil. Anadolu sahas\u0131nda bilinen ilk divan \u015fairlerinden kabul edilir. Dini-tasavvufi i\u00e7erik yerine d\u00fcnyevi a\u015fk\u0131 ve ya\u015fama sevincini i\u015fleyen din d\u0131\u015f\u0131 gazelleriyle d\u00f6neminin di\u011fer \u015fairlerinden ayr\u0131l\u0131r. Hayat\u0131 hakk\u0131nda elimizde \u00e7ok az bilgi vard\u0131r; \u015fiirleri sonraki d\u00f6nem tezkirelerinden derlenmi\u015ftir.<\/p>\n\n\n\n

Yunus Emre<\/strong> Do\u011fum: tahminen 1240\/41, muhtemelen Eski\u015fehir\/Sar\u0131k\u00f6y (Karamanl\u0131 oldu\u011fu g\u00f6r\u00fc\u015f\u00fc de vard\u0131r) \u2014 Vefat: tahminen 1320\/21. Anadolu’da tasavvufi T\u00fcrk \u015fiirinin kurucu ismi kabul edilir. Divan’\u0131 ve Risalet\u00fc’n-Nushiyye adl\u0131 eseriyle T\u00fcrk\u00e7eyi sade, i\u00e7ten bir dille ilahi a\u015fk\u0131n diline d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015ft\u00fcr. Tapduk Emre’nin dervi\u015fi oldu\u011fu bilinir; hayat\u0131 b\u00fcy\u00fck \u00f6l\u00e7\u00fcde menk\u0131belerle \u00f6r\u00fcl\u00fcd\u00fcr.<\/p>\n\n\n\n

A\u015f\u0131k Pa\u015fa<\/strong> Do\u011fum: 1272, K\u0131r\u015fehir \u2014 Vefat: 3 Kas\u0131m 1332\/1333, K\u0131r\u015fehir. Baba \u0130lyas’\u0131n torunu olan mutasavv\u0131f \u015fair, 12 bin beyitlik didaktik-tasavvufi eseri Garibname ile tan\u0131n\u0131r. Arap\u00e7a ve Fars\u00e7a’n\u0131n egemen oldu\u011fu bir d\u00f6nemde bilin\u00e7li bi\u00e7imde T\u00fcrk\u00e7e yazmay\u0131 savunmu\u015f, bu tutumuyla T\u00fcrk dili tarihinde \u00f6nc\u00fc bir isim olmu\u015ftur.<\/p>\n\n\n\n

Ahmedi<\/strong> Do\u011fum: tahminen 1334, do\u011fum yeri tart\u0131\u015fmal\u0131 (Sivas veya Germiyan\/K\u00fctahya) \u2014 Vefat: 1413, K\u00fctahya veya Amasya. 14. y\u00fczy\u0131l Anadolu’sunun en b\u00fcy\u00fck divan \u015fairi kabul edilir; ayn\u0131 zamanda hekimdir. En \u00fcnl\u00fc eseri, B\u00fcy\u00fck \u0130skender’in hayat\u0131 \u00fczerinden felsefe, tarih ve ahlak konular\u0131n\u0131 i\u015fleyen \u0130skendername’dir; esere ekledi\u011fi b\u00f6l\u00fcm T\u00fcrk edebiyat\u0131n\u0131n bilinen ilk mevlididir.<\/p>\n\n\n\n

\u015eeyhi<\/strong> Do\u011fum: tahminen 1371-1376, K\u00fctahya \u2014 Vefat: 1431, K\u00fctahya. As\u0131l mesle\u011fi hekimlik olan \u015fair, “Hekim Sinan” olarak da tan\u0131n\u0131r. H\u00fcsrev \u00fc \u015eirin adl\u0131 a\u015fk mesnevisi ve Harname adl\u0131 hiciv mesnevisiyle bilinir; Germiyan beyi ile Osmanl\u0131 padi\u015fahlar\u0131n\u0131n hekimli\u011fini yapm\u0131\u015f, kendinden sonraki mesnevi \u015fairlerini derinden etkilemi\u015ftir.<\/p>\n\n\n\n

Ahmed Pa\u015fa<\/strong> Do\u011fum: tahminen 1426, Edirne (Bursa oldu\u011fu da rivayet edilir) \u2014 Vefat: 1497, Bursa. Fatih Sultan Mehmed’in hocal\u0131\u011f\u0131n\u0131 yapm\u0131\u015f, kazaskerlik ve vezirlik g\u00f6revlerinde bulunmu\u015f devlet adam\u0131-\u015fairdir. D\u00f6neminde “Sultan\u00fc’\u015f-\u015fuara” unvan\u0131n\u0131 alm\u0131\u015f, kaside ve gazel alan\u0131nda sonraki y\u00fczy\u0131llara \u00f6rnek olmu\u015ftur.<\/p>\n\n\n\n

Necati Bey<\/strong> Do\u011fum: tahminen 1452-1455, Edirne \u2014 Vefat: 17 Mart 1509, \u0130stanbul. Dev\u015firme k\u00f6kenli oldu\u011fu rivayet edilen \u015fair, Arap\u00e7a-Fars\u00e7a tamlamalardan ar\u0131nm\u0131\u015f, atas\u00f6z\u00fc ve deyimlerle \u00f6r\u00fcl\u00fc sade T\u00fcrk\u00e7esiyle 15. y\u00fczy\u0131l\u0131n en \u00f6zg\u00fcn divan \u015fairlerinden say\u0131l\u0131r. Fatih ve II. Bayezid d\u00f6nemlerinde saray katipli\u011fi ve \u015fehzade hocal\u0131\u011f\u0131 yapm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Fuzuli<\/strong> Do\u011fum: tahminen 1483, do\u011fum yeri tart\u0131\u015fmal\u0131 (Ba\u011fdat, Hille, Kerbela veya Necef) \u2014 Vefat: 1556, Kerbela (veba salg\u0131n\u0131nda). T\u00fcrk\u00e7e, Arap\u00e7a ve Fars\u00e7a divan sahibi olan Fuzuli, T\u00fcrk edebiyat\u0131n\u0131n en b\u00fcy\u00fck a\u015fk ve ac\u0131 \u015fairlerinden kabul edilir. Leyla ile Mecnun mesnevisiyle ve derin tasavvufi duyarl\u0131l\u0131k ta\u015f\u0131yan gazelleriyle tan\u0131n\u0131r.<\/p>\n\n\n\n

Baki<\/strong> Do\u011fum: 1526, \u0130stanbul \u2014 Vefat: 1600, \u0130stanbul. Kanuni Sultan S\u00fcleyman’\u0131n himayesinde yeti\u015fen ve hayattayken “Sultan\u00fc’\u015f-\u015fuara” (\u015fairlerin sultan\u0131) unvan\u0131n\u0131 kazanan \u015fair, d\u00fcnyevi zevkleri, a\u015fk\u0131 ve \u0130stanbul T\u00fcrk\u00e7esinin ahengini \u015fiirlerine ta\u015f\u0131m\u0131\u015ft\u0131r. Kanuni’nin \u00f6l\u00fcm\u00fc \u00fczerine yazd\u0131\u011f\u0131 mersiye, T\u00fcrk edebiyat\u0131n\u0131n ba\u015fyap\u0131tlar\u0131ndan say\u0131l\u0131r.<\/p>\n\n\n\n

Nef’i<\/strong> Do\u011fum: 1572, Hasankale\/Erzurum \u2014 Vefat: 27 Ocak 1635, \u0130stanbul (idam edildi). Kaside ve hiciv (yergi) alan\u0131nda T\u00fcrk edebiyat\u0131n\u0131n en g\u00fc\u00e7l\u00fc kalemi kabul edilir. IV. Murad’\u0131n himayesinde uzun s\u00fcre korunmu\u015f, ancak kalemini durduramay\u0131p yazd\u0131\u011f\u0131 bir hicviye y\u00fcz\u00fcnden sarayda bo\u011fdurularak \u00f6ld\u00fcr\u00fclm\u00fc\u015ft\u00fcr.<\/p>\n\n\n\n

Nabi<\/strong> Do\u011fum: 1642, Urfa \u2014 Vefat: 13 Nisan 1712, \u0130stanbul. Divan \u015fiirine “hikemi” (\u00f6zdeyi\u015f, bilgece s\u00f6z) tarz\u0131n\u0131 getiren \u015fair, Hayriyye ve Hayrabad mesnevileriyle tan\u0131n\u0131r. \u015eiirlerinde toplumsal aksakl\u0131klar\u0131 ahlaki bir bak\u0131\u015fla ele\u015ftirmi\u015f, sade ve \u00f6\u011fretici bir \u00fcslup benimsemi\u015ftir.<\/p>\n\n\n\n

Nedim<\/strong> Do\u011fum: tahminen 1681, \u0130stanbul \u2014 Vefat: 30 Ekim 1730, \u0130stanbul (Patrona Halil \u0130syan\u0131 s\u0131ras\u0131nda). Lale Devri’nin (1718-1730) ruhunu en iyi yans\u0131tan \u015fair olarak bilinir; \u015fark\u0131 naz\u0131m bi\u00e7iminin en b\u00fcy\u00fck ismidir. Soyut a\u015fk anlay\u0131\u015f\u0131 yerine \u0130stanbul’un e\u011flence hayat\u0131n\u0131, g\u00fczellerini ve g\u00fcndelik zevklerini \u015fiirine ta\u015f\u0131yan, dili sadele\u015ftiren bir yenilik\u00e7idir.<\/p>\n\n\n\n

\u015eeyh Galip<\/strong> Do\u011fum: 1757, \u0130stanbul \u2014 Vefat: 3 Ocak 1799, \u0130stanbul. Galata Mevlevihanesi \u015feyhi olan \u015eeyh Galip, divan \u015fiirinin son b\u00fcy\u00fck ustas\u0131 kabul edilir. 26 ya\u015f\u0131nda alt\u0131 ayda tamamlad\u0131\u011f\u0131 sembolik a\u015fk mesnevisi H\u00fcsn \u00fc A\u015fk, Fuzuli’nin Leyla ile Mecnun’uyla birlikte T\u00fcrk edebiyat\u0131n\u0131n en \u00f6nemli iki mesnevisinden say\u0131l\u0131r.<\/p>\n\n\n\n

Halk \/ A\u015f\u0131k Edebiyat\u0131<\/h2>\n\n\n\n

Karacao\u011flan<\/strong> Do\u011fum: tahminen 1606, \u00c7ukurova\/Toroslar y\u00f6resi (kesin bilinmiyor) \u2014 Vefat: tahminen 1689. A\u015f\u0131k edebiyat\u0131n\u0131n en \u00e7ok sevilen ismi olan Karacao\u011flan, do\u011fa, a\u015fk, ayr\u0131l\u0131k ve gurbet temalar\u0131n\u0131 yal\u0131n, i\u00e7ten bir hece diliyle i\u015flemi\u015ftir. Hayat\u0131 b\u00fcy\u00fck \u00f6l\u00e7\u00fcde efsanelerle \u00f6r\u00fcl\u00fcd\u00fcr; birden fazla “Karacao\u011flan” ya\u015fam\u0131\u015f olabilece\u011fi bile ara\u015ft\u0131rmac\u0131larca tart\u0131\u015f\u0131l\u0131r.<\/p>\n\n\n\n

Pir Sultan Abdal<\/strong> Do\u011fum: tahminen 1480’ler, Sivas\/Banaz k\u00f6y\u00fc \u2014 Vefat: tahminen 1547-1551 (baz\u0131 kaynaklara g\u00f6re 1580’ler), Sivas (idam edildi). Alevi-Bekta\u015fi halk \u015fiirinin en \u00f6nemli temsilcilerinden olan Pir Sultan, Osmanl\u0131 y\u00f6netimine kar\u015f\u0131 bir isyana kar\u0131\u015ft\u0131\u011f\u0131 gerek\u00e7esiyle Sivas valisi H\u0131z\u0131r Pa\u015fa taraf\u0131ndan ast\u0131r\u0131lm\u0131\u015ft\u0131r. “D\u00f6nen d\u00f6ns\u00fcn ben d\u00f6nmezem yolumdan” dizesiyle \u00f6zde\u015fle\u015fmi\u015ftir.<\/p>\n\n\n\n

K\u00f6ro\u011flu<\/strong> Do\u011fum ve \u00f6l\u00fcm tarihleri bilinmiyor (16. y\u00fczy\u0131lda ya\u015fad\u0131\u011f\u0131 tahmin edilir). Hem tarihi hem efsanevi bir ki\u015filik olan K\u00f6ro\u011flu, kahramanl\u0131k ve ba\u015fkald\u0131r\u0131 temal\u0131 ko\u00e7aklamalar\u0131yla T\u00fcrk, Azeri ve T\u00fcrkmen halk edebiyat\u0131n\u0131n ortak miras\u0131 haline gelmi\u015ftir. Hayat\u0131 hakk\u0131ndaki bilgiler, kendisine atfedilen halk hik\u00e2yeleri ve t\u00fcrk\u00fclerden ibarettir.<\/p>\n\n\n\n

Dadalo\u011flu<\/strong> Do\u011fum: tahminen 1785, \u00c7ukurova\/Kozan y\u00f6resi (kesin bilinmiyor) \u2014 Vefat: tahminen 1868. Av\u015far T\u00fcrkmenlerinin Osmanl\u0131’n\u0131n zorunlu isk\u00e2n politikas\u0131na kar\u015f\u0131 direni\u015fini \u015fiirlerine ta\u015f\u0131yan Dadalo\u011flu, “Kalkt\u0131 g\u00f6\u00e7 eyledi Av\u015far elleri” dizesiyle tan\u0131n\u0131r. Yi\u011fitlik ve ba\u015fkald\u0131r\u0131 temal\u0131 ko\u00e7aklamalar\u0131yla g\u00f6\u00e7ebe T\u00fcrkmen k\u00fclt\u00fcr\u00fcn\u00fcn son b\u00fcy\u00fck sesidir.<\/p>\n\n\n\n

Erzurumlu Emrah<\/strong> Do\u011fum: tahminen 1777-1780, Erzurum\/Tanbura k\u00f6y\u00fc \u2014 Vefat: tahminen 1854-1860, Niksar\/Tokat. Hem hece hem aruz \u00f6l\u00e7\u00fcs\u00fcyle \u015fiir yazabilen, divan \u015fiiri ile halk \u015fiirini kayna\u015ft\u0131ran bir a\u015f\u0131kt\u0131r. Sevdi\u011fi kad\u0131na kavu\u015famay\u0131nca Erzurum’dan ayr\u0131l\u0131p Anadolu’yu dola\u015fm\u0131\u015f, hayat\u0131n\u0131n son y\u0131llar\u0131n\u0131 Niksar’da ge\u00e7irmi\u015ftir.<\/p>\n\n\n\n

A\u015f\u0131k Veysel \u015eat\u0131ro\u011flu<\/strong> Do\u011fum: 25 Ekim 1894, Sivrialan\/\u015eark\u0131\u015fla, Sivas \u2014 Vefat: 21 Mart 1973, Sivrialan, Sivas. Yedi ya\u015f\u0131nda \u00e7i\u00e7ek hastal\u0131\u011f\u0131 sonucu iki g\u00f6z\u00fcn\u00fc de kaybeden A\u015f\u0131k Veysel, “Uzun \u0130nce Bir Yolday\u0131m” ve “Kara Toprak” gibi eserleriyle 20. y\u00fczy\u0131l T\u00fcrk halk \u015fiirinin son b\u00fcy\u00fck ustas\u0131 kabul edilir. Ahmet Kutsi Tecer taraf\u0131ndan ke\u015ffedilerek tan\u0131nm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Tanzimat D\u00f6nemi<\/h2>\n\n\n\n

Nam\u0131k Kemal<\/strong> Do\u011fum: 1840, Tekirda\u011f \u2014 Vefat: 1888, Sak\u0131z Adas\u0131. Vatan, h\u00fcrriyet ve millet kavramlar\u0131n\u0131 edebiyata ta\u015f\u0131yan Nam\u0131k Kemal, Tanzimat d\u00f6nemi “vatan \u015fairi” olarak an\u0131l\u0131r. Vatan yahut Silistre adl\u0131 oyunu ve siyasi \u015fiirleriyle Gen\u00e7 Osmanl\u0131lar hareketinin de \u00f6nde gelen d\u00fc\u015f\u00fcn\u00fcrlerinden olmu\u015ftur.<\/p>\n\n\n\n

Ziya Pa\u015fa<\/strong> Do\u011fum: 1825, \u0130stanbul \u2014 Vefat: 1880, Adana. Tanzimat d\u00f6neminin \u00f6nemli devlet adam\u0131 ve \u015fairlerinden olan Ziya Pa\u015fa, “Terkib-i Bend” adl\u0131 eseriyle tan\u0131n\u0131r. Divan edebiyat\u0131n\u0131 ele\u015ftiren yaz\u0131lar\u0131na ra\u011fmen kendisinin de bu gelenekten tam kopamam\u0131\u015f olmas\u0131, d\u00f6nemin \u00e7eli\u015fkili edebi kimli\u011fini yans\u0131t\u0131r.<\/p>\n\n\n\n

Recaizade Mahmut Ekrem<\/strong> Do\u011fum: 1847, \u0130stanbul \u2014 Vefat: 1914, \u0130stanbul. Servet-i F\u00fcnun edebiyat\u0131n\u0131n \u00f6nde gelen isimlerinin (\u00f6zellikle Tevfik Fikret’in) hocas\u0131 ve yol g\u00f6stericisi olan Ekrem, “sanat i\u00e7in sanat” anlay\u0131\u015f\u0131n\u0131 T\u00fcrk edebiyat\u0131na ta\u015f\u0131yan ilk isimlerdendir. Araba Sevdas\u0131 adl\u0131 roman\u0131 ve \u015fiirleriyle tan\u0131n\u0131r.<\/p>\n\n\n\n

Abd\u00fclhak Hamit Tarhan<\/strong> Do\u011fum: 1852, \u0130stanbul \u2014 Vefat: 1937, \u0130stanbul. “\u015eair-i Azam” (b\u00fcy\u00fck \u015fair) unvan\u0131yla an\u0131lan Tarhan, T\u00fcrk edebiyat\u0131na Bat\u0131l\u0131 tiyatro bi\u00e7imlerini ve felsefi temalar\u0131 ta\u015f\u0131yan \u00f6nc\u00fclerden biridir. E\u015finin \u00f6l\u00fcm\u00fc \u00fczerine yazd\u0131\u011f\u0131 Makber adl\u0131 mersiyesiyle tan\u0131n\u0131r.<\/p>\n\n\n\n

Muallim Naci<\/strong> Do\u011fum: 1850, \u0130stanbul \u2014 Vefat: 1893, \u0130stanbul. Divan \u015fiiri gelene\u011fini yeni d\u00f6nemde s\u00fcrd\u00fcrmeye \u00e7al\u0131\u015fan Muallim Naci, ayn\u0131 zamanda bir e\u011fitimci ve s\u00f6zl\u00fck yazar\u0131d\u0131r. Recaizade Mahmut Ekrem ile giri\u015fti\u011fi “eski-yeni” edebiyat tart\u0131\u015fmas\u0131, d\u00f6nemin edebiyat g\u00fcndemini uzun s\u00fcre me\u015fgul etmi\u015ftir.<\/p>\n\n\n\n

Servet-i F\u00fcnun \/ Fecr-i Ati<\/h2>\n\n\n\n

Tevfik Fikret<\/strong> Do\u011fum: 1867, \u0130stanbul \u2014 Vefat: 1915, \u0130stanbul. Servet-i F\u00fcnun edebiyat\u0131n\u0131n en g\u00fc\u00e7l\u00fc sesi olan Fikret, \u015fiire yeni bir dil ve bi\u00e7im duyarl\u0131l\u0131\u011f\u0131 kazand\u0131rm\u0131\u015ft\u0131r. “Sis” adl\u0131 \u015fiiriyle \u0130stanbul’un ve d\u00f6nemin siyasi \u00e7\u00fcr\u00fcm\u00fc\u015fl\u00fc\u011f\u00fcn\u00fc ele\u015ftirmi\u015f, Robert Kolej’de m\u00fcd\u00fcrl\u00fck yapm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Cenap \u015eahabettin<\/strong> Do\u011fum: 1870, Manast\u0131r (bug\u00fcnk\u00fc Bitola, Kuzey Makedonya) \u2014 Vefat: 1934, \u0130stanbul. T\u0131p e\u011fitimi alm\u0131\u015f bir hekim olan Cenap \u015eahabettin, Servet-i F\u00fcnun \u015fiirinin sembolist ve m\u00fczikal y\u00f6n\u00fcn\u00fc temsil eder. \u015eiirlerinde ses ve imgeye verdi\u011fi \u00f6nemle tan\u0131n\u0131r, ayn\u0131 zamanda usta bir gezi yazar\u0131d\u0131r.<\/p>\n\n\n\n

Ahmet Ha\u015fim<\/strong> Do\u011fum: 1887, Ba\u011fdat \u2014 Vefat: 1933, \u0130stanbul. Sembolizmden etkilenen, \u015fiiri “musikiye yak\u0131n, s\u00f6zden \u00e7ok sese dayanan bir dil” olarak tan\u0131mlayan Ahmet Ha\u015fim, “O Belde” ve “Merdiven” gibi \u015fiirleriyle T\u00fcrk \u015fiirinde imgeci bir \u00e7\u0131\u011f\u0131r a\u00e7m\u0131\u015ft\u0131r. Fecr-i Ati toplulu\u011funun \u00f6nemli isimlerindendir.<\/p>\n\n\n\n

Milli Edebiyat \/ Cumhuriyet \u00d6ncesi ve Sonras\u0131 \u00d6nc\u00fcler<\/h2>\n\n\n\n

Mehmet Akif Ersoy<\/strong> Do\u011fum: 1873, \u0130stanbul \u2014 Vefat: 1936, \u0130stanbul. T\u00fcrkiye Cumhuriyeti \u0130stiklal Mar\u015f\u0131’n\u0131n yazar\u0131 olan Mehmet Akif, Safahat adl\u0131 eserinde toplumsal ger\u00e7ek\u00e7i bir dille d\u00f6nemin s\u0131k\u0131nt\u0131lar\u0131n\u0131, dini ve ahlaki de\u011ferleri i\u015flemi\u015ftir. Aruz \u00f6l\u00e7\u00fcs\u00fcn\u00fc tercih etmesine ra\u011fmen dili son derece sadedir.<\/p>\n\n\n\n

Yahya Kemal Beyatl\u0131<\/strong> Do\u011fum: 1884, \u00dcsk\u00fcp (bug\u00fcnk\u00fc Kuzey Makedonya) \u2014 Vefat: 1958, \u0130stanbul. “T\u00fcrk \u015fiirinin \u0130stanbul’u” olarak an\u0131lan Yahya Kemal, divan \u015fiirinin ahengini modern bir duyarl\u0131l\u0131kla birle\u015ftirmi\u015ftir. “Sessiz Gemi” ve “End\u00fcl\u00fcs’te Raks” gibi \u015fiirleriyle klasik-modern sentezinin en usta ismi kabul edilir.<\/p>\n\n\n\n

Ziya G\u00f6kalp<\/strong> Do\u011fum: 1876, Diyarbak\u0131r \u2014 Vefat: 1924, \u0130stanbul. Sosyolog ve d\u00fc\u015f\u00fcn\u00fcr kimli\u011fiyle de tan\u0131nan Ziya G\u00f6kalp, T\u00fcrk\u00e7\u00fcl\u00fck ak\u0131m\u0131n\u0131n fikri temellerini \u015fiirle de i\u015flemi\u015ftir. “K\u0131z\u0131l Elma” ve “Turan” gibi eserleriyle milliyet\u00e7i d\u00fc\u015f\u00fcncenin edebiyata yans\u0131mas\u0131n\u0131 temsil eder.<\/p>\n\n\n\n

Faruk Nafiz \u00c7aml\u0131bel<\/strong> Do\u011fum: 1898, \u0130stanbul \u2014 Vefat: 1973, \u0130stanbul. Milli Edebiyat ak\u0131m\u0131n\u0131n “Be\u015f Hececiler” grubundan olan \u00c7aml\u0131bel, Anadolu’yu ve ta\u015fra hayat\u0131n\u0131 hece \u00f6l\u00e7\u00fcs\u00fcyle i\u015fleyen \u015fiirleriyle tan\u0131n\u0131r. “Han Duvarlar\u0131” adl\u0131 \u015fiiri, Anadolu’ya duyulan \u00f6zlemin en bilinen ifadelerinden biridir.<\/p>\n\n\n\n

Cumhuriyet D\u00f6nemi Modern \u015eiiri<\/h2>\n\n\n\n

Naz\u0131m Hikmet Ran<\/strong> Do\u011fum: 1902, Selanik \u2014 Vefat: 1963, Moskova. T\u00fcrk \u015fiirine serbest nazm\u0131 ve toplumcu ger\u00e7ek\u00e7i bak\u0131\u015f\u0131 getiren Naz\u0131m Hikmet, d\u00fcnya \u00e7ap\u0131nda tan\u0131nan bir \u015fairdir. Siyasi g\u00f6r\u00fc\u015fleri y\u00fcz\u00fcnden uzun y\u0131llar hapis yatm\u0131\u015f, \u00f6mr\u00fcn\u00fcn son b\u00f6l\u00fcm\u00fcn\u00fc s\u00fcrg\u00fcnde ge\u00e7irmi\u015ftir; “Memleketimden \u0130nsan Manzaralar\u0131” ba\u015fl\u0131ca eserlerindendir.<\/p>\n\n\n\n

Necip Faz\u0131l K\u0131sak\u00fcrek<\/strong> Do\u011fum: 1904, \u0130stanbul \u2014 Vefat: 1983, \u0130stanbul. “B\u00fcy\u00fck Do\u011fu” dergisiyle muhafazak\u00e2r-\u0130slamc\u0131 d\u00fc\u015f\u00fcncenin edebiyattaki en etkili seslerinden biri olan K\u0131sak\u00fcrek, “Kald\u0131r\u0131mlar” ve “Sakarya T\u00fcrk\u00fcs\u00fc” gibi \u015fiirleriyle tan\u0131n\u0131r. Metafizik endi\u015fe ve aray\u0131\u015f, \u015fiirinin temel damar\u0131n\u0131 olu\u015fturur.<\/p>\n\n\n\n

Arif Nihat Asya<\/strong> Do\u011fum: 1904, \u00c7orlu \u2014 Vefat: 1975, \u0130stanbul. “Bayrak” adl\u0131 \u015fiiriyle T\u00fcrk edebiyat\u0131n\u0131n en \u00e7ok ezberlenen manzumelerinden birine imza atan Asya, milli duyarl\u0131l\u0131\u011f\u0131 g\u00fc\u00e7l\u00fc, ahenkli bir dille i\u015flemi\u015ftir. E\u011fitimcilik de yapm\u0131\u015f, \u015fiirlerinde aruz ve hece \u00f6l\u00e7\u00fcs\u00fcn\u00fc birlikte kullanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Cahit S\u0131tk\u0131 Taranc\u0131<\/strong> Do\u011fum: 1910, Diyarbak\u0131r \u2014 Vefat: 1956, Viyana. “Otuz Be\u015f Ya\u015f” adl\u0131 \u015fiiriyle T\u00fcrk \u015fiirinin en \u00e7ok bilinen dizelerinden birini yazan Taranc\u0131, \u00f6l\u00fcm, zaman ve ya\u015fama sevinci temalar\u0131n\u0131 duru bir dille i\u015flemi\u015ftir. \u015eiirlerinde hem geleneksel \u00f6l\u00e7\u00fcy\u00fc hem serbest nazm\u0131 ba\u015far\u0131yla kullanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Bedri Rahmi Ey\u00fcbo\u011flu<\/strong> Do\u011fum: 1911, G\u00f6rele, Giresun \u2014 Vefat: 1975, \u0130stanbul. Ayn\u0131 zamanda ressam olan Ey\u00fcbo\u011flu, halk sanat\u0131n\u0131n motiflerini modern T\u00fcrk \u015fiiriyle harmanlam\u0131\u015ft\u0131r. Karadeniz’in rengini ve halk deyi\u015flerini \u015fiirine ta\u015f\u0131yan \u00f6zg\u00fcn bir \u00fcslubu vard\u0131r.<\/p>\n\n\n\n

Orhan Veli Kan\u0131k<\/strong> Do\u011fum: 1914, \u0130stanbul \u2014 Vefat: 1950, \u0130stanbul. Oktay Rifat ve Melih Cevdet Anday ile birlikte kurdu\u011fu “Garip” ak\u0131m\u0131yla T\u00fcrk \u015fiirinde vezni, kafiyeyi ve s\u00fcsl\u00fc s\u00f6yleyi\u015fi reddederek g\u00fcndelik dile dayal\u0131 yeni bir \u015fiir dili yaratm\u0131\u015ft\u0131r. “\u0130stanbul’u Dinliyorum” en tan\u0131nm\u0131\u015f \u015fiirlerindendir.<\/p>\n\n\n\n

Oktay Rifat Horozcu<\/strong> Do\u011fum: 1914, Trabzon \u2014 Vefat: 1988, \u0130stanbul. Garip ak\u0131m\u0131n\u0131n kurucular\u0131ndan olan Oktay Rifat, zamanla toplumcu, sonra soyut-imgeci bir \u015fiire y\u00f6nelerek \u00fcslubunu s\u00fcrekli yenilemi\u015ftir. \u015eiirin yan\u0131 s\u0131ra roman ve oyun da yazm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Melih Cevdet Anday<\/strong> Do\u011fum: 1915, \u0130stanbul \u2014 Vefat: 2002, \u0130stanbul. Garip ak\u0131m\u0131n\u0131n \u00fc\u00e7\u00fcnc\u00fc ismi olan Anday, sonraki y\u0131llarda felsefi ve mitolojik temalara y\u00f6nelerek farkl\u0131 bir \u015fiir \u00e7izgisi kurmu\u015ftur. Deneme ve roman t\u00fcrlerinde de eserler vermi\u015ftir.<\/p>\n\n\n\n

Faz\u0131l H\u00fcsn\u00fc Da\u011flarca<\/strong> Do\u011fum: 1914, \u0130stanbul \u2014 Vefat: 2008, \u0130stanbul. Elliye yak\u0131n \u015fiir kitab\u0131yla T\u00fcrk edebiyat\u0131n\u0131n en \u00fcretken \u015fairlerinden biri olan Da\u011flarca, \u00e7ocukluk, do\u011fa, \u00f6l\u00fcm ve varolu\u015f gibi geni\u015f bir yelpazede yazm\u0131\u015ft\u0131r. “\u00c7ocuk ve Allah” ilk tan\u0131nan kitaplar\u0131ndand\u0131r.<\/p>\n\n\n\n

Beh\u00e7et Necatigil<\/strong> Do\u011fum: 1916, \u0130stanbul \u2014 Vefat: 1979, \u0130stanbul. G\u00fcndelik hayat\u0131n k\u00fc\u00e7\u00fck ayr\u0131nt\u0131lar\u0131n\u0131, ev ve aile i\u00e7i yaln\u0131zl\u0131\u011f\u0131 sade fakat \u00e7ok katmanl\u0131 bir dille i\u015fleyen Necatigil, ayn\u0131 zamanda \u00f6nemli bir \u00e7evirmen ve ansiklopedi yazar\u0131d\u0131r. “Kapal\u0131 \u00c7ar\u015f\u0131” gibi eserleriyle tan\u0131n\u0131r.<\/p>\n\n\n\n

\u00d6zdemir Asaf<\/strong> Do\u011fum: 11 Haziran 1923, Ankara \u2014 Vefat: 28 Ocak 1981, \u0130stanbul. K\u0131sa, vecize benzeri \u015fiirleriyle tan\u0131nan \u00d6zdemir Asaf, “Lavinia” ve “Yaln\u0131zl\u0131k Payla\u015f\u0131lmaz” gibi m\u0131sralar\u0131yla geni\u015f bir okur kitlesine ula\u015fm\u0131\u015ft\u0131r. A\u015fk, yaln\u0131zl\u0131k ve insan ili\u015fkilerini ironik, \u00e7arp\u0131c\u0131 bir dille i\u015flemi\u015ftir.<\/p>\n\n\n\n

Ahmed Arif<\/strong> Do\u011fum: 21 Nisan 1927, Diyarbak\u0131r \u2014 Vefat: 2 Haziran 1991, Ankara. Hayat\u0131 boyunca yay\u0131mlad\u0131\u011f\u0131 tek \u015fiir kitab\u0131 “Hasretinden Prangalar Eskittim” ile T\u00fcrk \u015fiirinin en \u00e7ok sevilen kitaplar\u0131ndan birine imza atm\u0131\u015ft\u0131r. Do\u011fu Anadolu’nun s\u00f6zl\u00fc k\u00fclt\u00fcr\u00fcnden beslenen, g\u00fc\u00e7l\u00fc ve lirik bir dili vard\u0131r.<\/p>\n\n\n\n

Attila \u0130lhan<\/strong> Do\u011fum: 1925, \u0130zmir \u2014 Vefat: 2005, \u0130stanbul. Hem \u015fiir hem roman alan\u0131nda \u00fcretken olan Attila \u0130lhan, “Ben Sana Mecburum” gibi \u015fiirleriyle a\u015fk\u0131 politik ve varolu\u015fsal bir derinlikle birle\u015ftirmi\u015ftir. Toplumcu bir \u00e7izgide, kendine \u00f6zg\u00fc bir “Mavi” duyarl\u0131l\u0131\u011f\u0131yla yazm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Can Y\u00fccel<\/strong> Do\u011fum: 1926, \u0130stanbul \u2014 Vefat: 1999, Dat\u00e7a, Mu\u011fla. \u015eiirlerindeki argo ve halk diline yak\u0131n, k\u0131\u015fk\u0131rt\u0131c\u0131 \u00fcslubuyla tan\u0131nan Can Y\u00fccel, ayn\u0131 zamanda usta bir \u00e7evirmendir (Shakespeare \u00e7evirileriyle \u00fcnl\u00fcd\u00fcr). Muhalif ve mizahi kimli\u011fiyle geni\u015f bir okur kitlesi kazanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Turgut Uyar<\/strong> Do\u011fum: 1927, Ankara \u2014 Vefat: 1985, \u0130stanbul. “\u0130kinci Yeni” ak\u0131m\u0131n\u0131n kurucu isimlerinden olan Uyar, “G\u00f6\u011fe Bakma Dura\u011f\u0131” adl\u0131 \u015fiiriyle tan\u0131n\u0131r. \u015eiirlerinde imgeyi ve dil oyunlar\u0131n\u0131 \u00f6n plana \u00e7\u0131kararak geleneksel anlat\u0131m kal\u0131plar\u0131ndan uzakla\u015fm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

Edip Cansever<\/strong> Do\u011fum: 1928, \u0130stanbul \u2014 Vefat: 1986, \u0130stanbul. \u0130kinci Yeni ak\u0131m\u0131n\u0131n \u00f6nemli temsilcilerinden Cansever, “Masa da Masaym\u0131\u015f Ha” gibi \u015fiirleriyle g\u00fcndelik nesneleri \u015fa\u015f\u0131rt\u0131c\u0131 imgelerle yeniden kurar. Kentli, i\u00e7 d\u00fcnyaya d\u00f6n\u00fck bir \u015fiir anlay\u0131\u015f\u0131n\u0131 benimsemi\u015ftir.<\/p>\n\n\n\n

Cemal S\u00fcreya<\/strong> Do\u011fum: 1931, Erzincan \u2014 Vefat: 1990, \u0130stanbul. \u0130kinci Yeni ak\u0131m\u0131n\u0131n en \u00e7ok okunan isimlerinden olan Cemal S\u00fcreya, a\u015fk\u0131, bedeni ve g\u00fcndelik hayat\u0131 \u015fa\u015f\u0131rt\u0131c\u0131, oyunbaz bir dille i\u015flemi\u015ftir. “\u00dcvercinka” adl\u0131 kitab\u0131 ak\u0131m\u0131n ba\u015fyap\u0131tlar\u0131ndan say\u0131l\u0131r.<\/p>\n\n\n\n

Sezai Karako\u00e7<\/strong> Do\u011fum: 22 Ocak 1933, Ergani, Diyarbak\u0131r \u2014 Vefat: 16 Kas\u0131m 2021, \u0130stanbul. “Dirili\u015f” dergisi ve d\u00fc\u015f\u00fcncesiyle \u00f6zde\u015fle\u015fen Karako\u00e7, metafizik aray\u0131\u015f\u0131 modern \u015fiir diliyle birle\u015ftiren bir \u015fairdir. “Mona Rosa” gibi \u015fiirlerinin yan\u0131 s\u0131ra d\u00fc\u015f\u00fcnce yaz\u0131lar\u0131yla da geni\u015f bir etki alan\u0131 yaratm\u0131\u015ft\u0131r.<\/p>\n\n\n\n

\u0130lhan Berk<\/strong> Do\u011fum: 1918, Manisa \u2014 Vefat: 2008, Bodrum. \u0130kinci Yeni ak\u0131m\u0131n\u0131n \u00f6nc\u00fc isimlerinden olan \u0130lhan Berk, \u015fiiri saf bir dil ve imge aray\u0131\u015f\u0131na d\u00f6n\u00fc\u015ft\u00fcrm\u00fc\u015f, resim ve co\u011frafyadan beslenen geni\u015f bir \u015fiir d\u00fcnyas\u0131 kurmu\u015ftur. “Galile Denizi” \u00f6nemli eserlerindendir.<\/p>\n","protected":false},"excerpt":{"rendered":"

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